Apply robots with balls in Photoshop. How to work with balls in Photoshop. Paste via clipboard

The ball is the main one of the little ones in Photoshop. All actions in this program will be on robots with balls, which are superimposed one on one, creating a collapsible image.

What balloons do you need?

The balls are needed so that you can edit one part of the image without destroying other parts.

Discover a simple little thing: the sky, on the new gloom, through which the sun looks. Skin with many elements in Photoshop, sculpted onto a rimmed ball. The sky is the background, on which the sun (middle sphere) is visible, and which, in turn, covers the front sphere - darkness.

Of course, you can take the sky and change its color. For example, make it darker, showing the evening. You can take the sun and move it so that the gloom is no longer over it. All these operations can be completed literally with the click of a mouse button.

There were no balls, to change the color of the sky you would have had a chance to clearly see him in the little one, to move the gloom you would have seen him, and with the sun there would have been even more problems, since he would have been at least home and. And it’s not a fact that, with the changing colors of the sky, you wouldn’t cover up the edge of the gloom, or you wouldn’t erase it completely, adding to the sun.

In addition, the balls eliminate problems by allowing you to work with parts of folding images efficiently and safely.

Robot with balls

You can look at document parts and manage them (move, delete, create new ones) using a special palette, which is located in the lower right corner of the screen.

If you don’t have such a panel, turn it on by selecting the command Window -> Shares.

The first ball is created automatically along with the document, and the others are created automatically during the execution of the song actions (for example, if you try to draw a figure, you will be prompted to create a new ball for it). Sometimes you will add new balls manually. Ideally, the skin object should ripple on the smeared ball.

The button for releasing the ball is indicated by the button, and the button for turning the ball is. With balls, you can perform a large number of actions: grouping, dubbing, changing colors, adjusting clarity, filtering, moving, etc., but in this article we will look at only a part of the capabilities necessary for cob roboti.

The ball, which is currently being worked on, is seen in a blue color. Such a ball is called active. To activate the ball, click on the new mouse button.

1. Create a new document with a white background.

2. Create a new ball by pressing the icon.

3. Change the ball. For each child, click on the name with the mouse button, enter the name (for example, Top Ball) and either press Enter, or simply click on the other area of ​​the screen.

The row of the ball consists of three elements: an icon with a painted eye, a miniature of the ball and its name. Vichko means that the ball is bachimo, clicking on the icon brings the ball. The grays and white squares of the miniature are arranged in a checkerboard order to talk about his insight.

4. Fill the ball with either a color, a gradient or a paintbrush - select the Fill tool, enter a color and click on the canvas with the mouse button (we talked about fills in the previous lesson).

5. To make the active ball invisible - select it by clicking on the icon with the eye. A white background appears on the canvas again, like a ball on top of the now new connections.

6. Make the ball visible again by clicking on the icon with the eye again.

Work with text

For adding text in Photoshop, use the group tools. Click on the icon displayed on the tools palette with the right mouse button or with the left mouse button to access more tools.

1. On the palette, select the Horizontal Text tool.

2. Click in any place on the canvas and enter additional text.

3. Return to the settings panel. Here you can specify directly (horizontal or vertical), font, positioning, size, alignment, color and deformation of the text.

Robot with balls

Many people have problems with how to drag a picture, how to move from ball to ball, how to change a ball, and so on...

Therefore, I wanted to learn a small lesson, which would describe in detail how to work with balls. I hope that after this, the rich will lose their difficulties and food...

In this lesson, based on the original picture, we will look at the following nutrition:

1. Drag a picture from one document to another.

2. Transformation.

3. Ball application modes.

4. Transition by versts.

5. See the ball.

6. Vision along the contour.

7. Little tricks.

We create a new document (for example, 450 * 300px). I fill it with black color.

Now we open any image and install it in our document. Now select the Move tool (rux), then click on the picture you want to drag. Press the left mouse button onto the picture and press (without releasing the mouse button!) onto the required document.

2. Transformation

The picture will not always be the size we need, that is why transformation (Ctrl + t) is necessary. However, she still needs to take part in self-interest!

First, go to the transformation and turn it over so that you have the balls that you need to change. Well, well, change it yourself! Do not change the picture for any other transformation, as you will waste the brightness of the picture!

After you have switched over, everything is set correctly, press Ctrl + t. Along the contour of the picture 8 knots will appear. In order to change the picture (without making any changes), you need to press the Shift key and pull the square (with a red circle).

So with additional transformation you can wrap the picture. Let's hit the top and move the mouse cursor to the next one. An arrow appears from two straight ahead. Now we press the left mouse button and turn it along or against the year arrow (select which school to choose).

3. Ball application modes

For the skin area, you can set your own application mode, which will help enhance your work, add a birthmark for additional assistance in one or another way.

Parameters for the ball are selected in the top panel on the balls tab.

4. Transition by versts

To navigate through the vertices, just click with the left mouse button on the gray field of the ball (whichever you need) in the ball palette.

As in my opinion... I expect that my picture will come out very dark. So I move to a lower ball and fill it with a gradient.

5. See the ball

Since I poured the gradient over the cola, I now don’t need to sand the clear edges of the ball with the picture, so I want to wipe it off a little. To do this, I again go to the top ball, select the eraser tool, and then set it to a new setting: soft brush with a size of 100px.

I erase unnecessary parts of the picture.

6. Vision along the contour.

Now we need a picture without a background

(You can check it yourself or enter scrap typing).

We drag them onto our document and install them in any place (Victorian transformations if necessary).

Now we create a new ball. Place it below the Vocaloid _-_ Yokune_Ruko ball (in order to move the position of the balls, you need to click on the ball you want to drag, press the left mouse button and pull in the desired place).

Now that you are on the new ball, press Ctrl and click on the end (where it is shown what you have on your ball) Vocaloid _-_ Yokune_Ruko ball. After this, a vision will appear on the new ball that corresponds to the outline of the Vocaloid ball _-_ Yokune_Ruko

We fill our vision with color using an additional filling tool. Select the transformation tool (Ctrl + T) and a more monochromatic figure Yokune_Ruko.

We get the effect of shadow drops.

7. Little tricks.

In order for your picture to look uniform, do not forget to add effects or brushes. Try to work so that the brushes are on top of all the balls and between them. So don’t forget to use your brushes on a new ball, so that in the future you can remove or wipe it if it’s not necessary and set the application modes.

Danish material prepared for you by the site team

The skin ball bears its name, a miniature of the image of the ball. The glasses icon indicates the visibility of the ball. If we close the eye, we will gain visibility from the surrounding ball. These are necessary for the handiness of the robot.

At the top of the ball palette, the mode for mixing the active ball with the front one is set to Normal, so we can change it. Also, the upper part of the palette has the same opacity and fill of the active ball. Changing displays of clarity and shading, the ball is moving more and more.

Basic activities with balls:

1. Create an active ball. To do this, click on the new bear, it will appear in a blue color. All transformations are carried out on the active sphere itself.

2. We can remove the ball by pulling it with a bear into a box, spread out in the lower part of the palette of balls,

3. Mix the balls in places. Take the ball and drag it to the desired location in the ball palette.

4. Duplicate a ball - create the same new ball using Ctrl + J or right-click on the mouse and select “duplicate ball”

5. Create a new visionary ball. What is the purpose of the icon in the lower part of the Shari window?

6. Solidify the gradient, fill it with color, solidify the style, fill it with color, adjust using curves, lines, create a ball mask and other functions are available using special icons in the lower part of the palette.

About this later.

7. Combine the balls in a group. for whom to serve the badge,

8. Z'yazati shari. In order to move a number of balls at once, you need to make them active and “link them” to the icon

9. Create a new ball under the active one. Click on the end of the creation of a new ball and simultaneously press the CTRL key

There is also a blocking of the ball:

You will find them under the mixing mode.

1. blocking preserves the pixel clarity, so that when blocking is activated, you cannot write or draw anything on the pixel space of the ball

2. Another pen-like appearance - saves pixel colors, so that you can filter for painting, vibrating gums and other changes with non-transparent pixels.

3. The third block at the sight of crossed arrows prevents the ball from moving,

4. outside blocking - blocking even if the ball had not been changed.

Dzherelo: photoforum.do.am/forum/4-2-1

*****

It's fun to work with balls in Photoshop

I am impressed that the success and flexibility of working in Photoshop lies in:

• Remember to play with the balls

Balls in Photoshop, perhaps the most important and basic theme. There was no verst, there was no Photoshop. And without Photoshop, there might not have been any balls. The most accessible menu for the number of commands is the Layers menu. I think that once you understand most of the possibilities of manipulating balls in Photoshop, you can benefit less from understanding the program.

Balls in Photoshop can be seen as virtual invisible surfaces. You can place graphics on the skin surface. In this way, some graphics will be on the top ball, some in the middle, and some on the bottom.

The concept of a “ball” in the Photoshop program is exactly the same physical place as in life - it is a piece or a layer that is a storage part of the whole.

You can view document shares in the Shares panel. Let's take this picture where the alignment of the balls has not yet been shown.

It consists of 4 balls.
********************************
At the bottom of the skin there is a thumbnail (icon) of the picture from the images. Clicking on the thumbnail (end) with the left mouse button while pressing Ctrl will select the visible object.

An instruction with an icon is an option that can be turned on and off. For example, by clicking on the left mouse button, we turn on the visibility of this ball. A ball with an enabled eye becomes invisible on the document.

To rotate the visibility of the ball, use the left mouse button to click on the spot.

The ball that is currently in action must be active, so it will turn blue. To do this, you need to click on the new one with the left mouse button.
***************************************
The balls can be easily moved and arranged in the required order. To do this, click on them with a bear and drag them up or down.

*******************************************
You can see the ball in three ways (it looks like the ball is guilty but active):

1 - click on the ball with the right mouse button, in the window select “Remove ball” and in the window, “So”.

2 - Click on the ball with the left mouse button and press the button to pull the ball down onto the cat icon.

3 - On the top panel: Balls - Vidality - Ball.

4 - The simplest way to SEE THE ACTIVE BALL is to simply click on the “box” at the bottom of the balls.
******************************************
You can add a new ball like this:

1 - At the bottom of the Balls panel, click on the “Create a new ball” icon.

2 - On the top panel: Balls - New - Ball.

3 - Connect the keys on the keyboard Shift + Ctrl + N, then press the Shift and Ctrl keys and press the N key.

***************************************

To make a copy (Duplicate) of the ball, you need

1 - Click on the working ball with the right mouse button and select “Make a duplicate ball”

2 - On the top panel: Balls - Duplicate the ball.

3 - Connect the keys on the keyboard Ctrl + J, then press the Ctrl key and press the J key.

**************************************

In the Balloons panel you can change the Opacity of the working ball. To do this, you need to click on the small square with a small arrow, a panel with a slider will appear (visible in the same color), and by moving it to the left, the obscurity will change

Filling the ball is changed in the same way.

****************************************

And once the robot is completed, you need to combine all the balls. To do this, you need to press the right mouse button on the active ball and in the drop-down window select “Viconate”. All versions are combined into one ball under the name “Background” with a lock on the right.

*********************************
This ball - The background is blocked, so there are a lot of operations on it that are not available.

• You can't see yogo


• You can’t earn anything like this.


• You can't set the application mode to the new one.


• Chi not zrobiti yogo is often opaque.

This happens when you open a picture in Photoshop.
You can unblock (remove the lock) like this:

1 - The easiest way to turn the Background ball into a basic one is to double-click on the ball in the balls panel (click the steps below or to the left of the name of the ball) and click OK in the drop-down window. After the background ball becomes the primary ball, all operations with the ball become available to you. In addition, the song of the clear-sighted ball has been created.

2 - Press the “lock” with the left button of the mouse and drag it into the “cat”

I'll tell you about the functions in the balls panel soon.

© 2014 site

Shari is the basis of Photoshop. Regardless of the serious manipulation of images, as a rule, they depend on the use of balls and masks. Without a sound concept of the rich-ball image, you simply won't be able to properly edit your photos in Adobe Photoshop, and if you can, the process will be painful and unnatural.

What is this shari?

Balls in Adobe Photoshop can be represented as sheets of transparent spun, placed in a stack one on top of the other. Any image can be applied to the skin of the sheets, so that the image that lies on the animal overlaps the image that is located under them. In the clearest images, the sections of leaves become transparent and the lower balls are visible through them. In general, when looking at a stack of animals, it appears as a single complex image, composed of additional overlapping elements of adjacent balls.

The balls are needed so that many images can be folded into one, and also so that in a multi-ball image it is possible to edit the skin ball independently of other balls.

Working in Photoshop, we create new balls many times, glue them together, duplicate them, move them, change the order of the balls and their clarity, in a word, we can use the balls to do everything that might be needed when editing bath photos.

Obviously, any file, opened or created in Adobe Photoshop, must contain at least one ball. Call this ball called Background, either the background or the background.

From a purely technical point of view, in Adobe Photoshop you can work directly with the Background ball, without going to the trouble of using additional balls, but in such situations, I still recommend making a copy of the main ball as quickly as possible and using the same copy. The source is obviously incomplete, and only the result I’m completely honest, I allow myself to make the balls melt together. This approach is simpler and safer. Is it time to convert Photoshop into Paint?

palette of balls

The palette of balls (Layers) appears at the bottom of the screen. If you don't care, press F7.

Let's take a look at the main elements of the ball palette.

The skin ball is represented by a small colored icon. The name of the ball is written right-handed in front of it. When you wash new balls, select the standard names (Layer 1, Layer 2, etc.), or you can change them to your liking by double-clicking on the name of the ball.

The order with the colored icon of the ball can be changed to a black and white icon ball masks, Which indicates which parts of this ball are responsible for showing, and which are being received. If the mask is on the ball, then the ball can be seen from the outside. A ball mask is the most important tool when working with balls, in connection with which we will return to this later and talk about masks.

To the left of the icon is a ball of retouched icon next to the eye that symbolizes visibility of the ball. Click on something - it is invisible to the eyes, and the ball becomes invisible.

To make the ball active, click on the new target. To select a number of balls, press the Ctrl / Cmd or Shift keys.

To make a copy of the active ball, press Ctrl / Cmd + J. To merge the visible balls, then press Ctrl / Cmd + E. If only one ball is selected, then the bottom ball will be removed. Ctrl / Cmd + Shift + E combines all currently visible balls. To save all versions of the document together, go to the Layers menu and select Flatten Image.

The balls can be pulled behind another mouse and, in this way, they can be rotated. Receive the keys Ctrl / Cmd +] and Ctrl / Cmd + [move the active ball one position up or down.

The upper part of the ball palette has the following settings:

Layer filtering allows you to display in the palette only those versions that meet the previous criteria, and accept all others. You can filter balloons by type, by name, by style, etc.

For further help Lock layer It is possible to partially or completely protect the editing of a specific ball.

The right-hander is finally getting ready Opacityі Fill What is considered a step? obscurity to the ball. The value for decoration is 100%, so the ball is completely obscure and is visible in all its beauty. 50% means that the ball is half open and the lower balls can be seen through it. At 0% the ball becomes completely visible and invisible. Between Opacity and Fill there is only one function: Opacity regulates the opacity of the ball at the same time with all the styles and special effects, while Fill acts only on the pixels of the ball itself, without being stuck with this style.

The Background ball is subdivided from other balls so that its opacity becomes 100% and is not adjustable. In addition, Background is permanently theft due to displacement. The overlay mode for Background is now Normal, since there are no other balls under it and there is simply nothing to overlay on.

The lower part of the palette of balls has these buttons:

Link layers. It knits (not unifies) the vision of the balls. The tied balls are deprived of independent balls, and when you try to move them, they collapse as one whole.

Add a layer style. Allows you to set various special effects to the ball, such as: shadow, light, contour, etc. When processing photographs, styles are rarely used and are mostly found in graphic design.

Add layer mask. Adds a mask to the selected ball. Behind the clothes, the mask is white in color, so that the ball can be seen from the outside. More details about the divas' masks. Lower.

Create a new fill or adjustment layer. Creates a custom ball or fill ball for easy editing. More details about the beautiful diva balls. Lower.

Create a new group. I create a new empty group. To combine existing balls into a group, select them and press Ctrl / Cmd + G. To format the group, press Ctrl / Cmd + Shift + G. Groups are brown if the document contains no balls and there is no need It’s time to put them in order. In addition, masks and styles that are set to a group are automatically applied to all versions that are included in the group. In other groups there are similar connections between balls.

Create a new layer. I create a new ball. You can also use the same key Ctrl / Cmd + Shift + N. The new ball does not contain any image and is therefore invisible.

Vidality ball (Delete layer). The active ball is visible. You can speed it up with the Del button.

What masks do you need?

The ball needs a mask in order to selectively and indirectly capture (or otherwise appear to mask) some of the ball’s pixels. For example, when working in HDR technology, I select a bunch of photographs of one or the same scene, divided into different exposures, then insert them into one file in the form of adjacent balls, and use masks as and elements of the skin and the culprit will be present in the end image .

The mask is a black and white image of the same size as a ball. The color of the mask codes the clarity of the ball. White color means normal visibility of the ball, black color means absolute clarity. Different shades of gray color indicate different levels of clarity - the darker the color, the more clear. In this way, if the mask is applied to the plots of a white color, the corresponding plots of the ball retain their cob thickness, and there, where the mask is painted in a black color, the image will become invisible, and through the new one will be visible underneath Whose ball. The plots, indicated on the mask with a gray color, will be less visible.

To complete the mask, just press Alt / Option and click on the end of the mask.

The mask, created using the additional command “Add a mask to the ball,” is completely filled with white color, making the ball completely invisible. If you click on the end of the mask and press Ctrl / Cmd + I, the mask will be inverted and set to black. The ball suddenly appeared from the field of view, so that there would be a camouflage.

If you want to grab any part of the active ball, create a white mask, select it by clicking on it with a mouse, take a black brush and paint the areas you don’t like - the smell will disappear, as if you had erased it with an eraser. However, when replaced with a rubber pad, it effectively erases part of the ball; the mask does not destroy the ball itself, but simply removes it. At any time, you can take a white brush and recreate any part of the image. This approach is called non-destructive (non-destructive) editing.

It is often necessary to reduce some effect to just an insignificant part of the image. In such situations, I duplicate the working ball (or create a corrugated ball), modify it in any necessary way (for example, increasing the contrast, sharpness, darkening or brightening the image), after which the entire ball is first mask, and then with a white pencil I show the effect there, where it is necessary.

Of course, editing masks does not involve only painting them with an additional brush. You can use any tools. It is often necessary to go into, for example, a gradient fill, or create a mask on the base of the area, which is determined by the principle of color or brightness range. Sometimes one of the color channels can serve as a template for the mask. In a word, the methods used to create masks are indispensable and impersonal, and I will not try to spoil them all. Just keep in mind that when wearing clothes, you can create masks in even folding shapes, so as to make the artistic works stand in front of you. It is possible to find special plugins for Photoshop (for example, MASK PANEL) that often automate the creation and editing of folding masks.

Editing balls are required for seamless image editing. Instead of tightening the curves, equalizers, or any other tool directly into the ball, you create a special ball that you adjust, and then work with it. The curving ball itself does not contain any image, but is rather an instruction on how to program a program to change the image that lies under the corigulating ball. The advantage of this method is that you can quickly turn around to the shape of the ball and freely change its parameters without fear of shrinking the image. The figurative ball can be turned on, you can change the level of its obscurity, and if you do so, you can completely remove it without the need for photography. It is also possible to copy the original ball and paste it into another document, thus maintaining the same settings for up to several photographs.

Adding a new ball that is adjusted can be done through a special Adjustments palette, or through the associated button in the Layers palette, or through the Layer> New Adjustment Layer menu.

The skin ball, which corrects automatically, is equipped with a mask, which allows you to control the area of ​​the inflow of the skin ball. It is entirely natural that different areas of the edited photograph may require the use of different tools. With the help of several decorative balls surrounded by masks, it’s quite creative. The masks of the original balls are in no way different from the original masks and are created using standard methods.

When combining the corrective ball from the lower level with balls, the rasterization is subject to correction, so that the changes are still transferred to the image data and become irrevocable. Combine the balls with this only if you are completely satisfied with the result and do not plan further changes.

Thank you for your respect!

Vasil A.

Post scriptum

If the article was interesting and educational for you, you can kindly support the project by making contributions to its development. If you don’t deserve the article, but you have thoughts about how to make it better, your criticism will be accepted with no less consideration.

Do not forget that the article is subject to copyright. Redirection and quotation are permissible if there is a valid message on the page, and the vikorized text is not subject to constant confusion or modification.

“Shari” is the main concept in Adobe Photoshop. Most often, beginners run into all sorts of problems themselves through the incomprehensible mechanism of working with balls. Today we will look at how the work with images usually begins, and itself: How to create a new ball in Photoshop.

Here are some ways to create a new ball in Photoshop

The Photoshop program has several ways of adding a new (from scratch) ball to an open file. Let's look at them in more detail. First, let’s check the presence of the “Balls” palette (Layers) in the palette area. If it is not there, go to: Main menu → Window → Layers or F7 key on the keyboard. Now you can proceed further.

1. Key combination

The simplest and fastest way to create a new ball is with the key combination: Ctrl + Shift + N, after pressing which the “New Ball” dialog box will open.

Let's take a closer look.

I'm

In the “Im” row, you need to enter a value that carries meaning. Call from the very beginning to order, otherwise you will spend a lot of hours searching for a specific ball in dozens of dozens without saying anything about the name. However, if you are planning only one ball, in addition to the background one, then you can, of course, lose the significance of the processing. If you have an episode, you can change it forever. To do this, in the “Balls” panel, you need to double-click the left mouse button on the name of the ball, which will allow you to rename it. More precisely, the name will appear in a blue color and you will be able to enter the required value.

A few words about the background ball

Basically, when you first open an image in Photoshop, only one “Background” appears in the “Balls” palette (Layers) from the castle images (arrow No. 1).

This ball has a number of boundaries: there are no overlay modes, you cannot change the opacity and fill, you cannot change clear areas, etc. And worst of all - this ball cannot be removed! Restore respect to the little beast, all settings are inactive.

It is important to save the original copy of the document, so that you can later turn to the threads and not lose the original in the process of re-creation! For these very reasons, it is not recommended to remove the block from the background ball. If you need to make changes to the ball itself, it can be copied in the future. For this, the background ball is visible and clicked on the “Create a new ball” (New Layer) icon (arrow No. 2). Or use the Ctrl + J key. An exact copy of the background ball will appear, but with additional functionality.

If necessary (not recommended), you can still remove the block from the background ball. To do this, you need to transfer the image of the castle (the castle itself, and not the entire ball) to the right-handed Smith’s cat icon of the “Create a new ball” button (arrow No. 3).

Vikorist the front ball to create the face mask

There is a convergence - then “Use Previous Layer to Create Clipping Mask”. This means that if there is a gap in the area on the underlying ball, then by checking the box in this similarity, you will also fill the space with gaps in the created ball.

color

It is possible to change the row with the name of the ball in the “Balls” palette to a color for greater ease of use.

obscurity

Opacity, as the name implies, represents the level of obscurity of the ball.

Overlay mode and filling with a neutral color

The overlay mode is essentially mixing the balls. In this way, the pixels of the lower ball will interact with the pixels of the folded ball. So, for example, in the “Multiply” mode, the brightness of the pixels of the upper and lower balls is multiplied. With this interaction, the so-called neutral color. This is a color that doesn’t interfere with the bottom ball. For this mode - white color. This means that since the top image has a white color, the pixels below it will not change and, as a result, will not be the same as the pixels. At that time, all the other pixels of the lower image interact with the pixels of the upper one and change their color. So, when creating a new ball, you can fill it with a neutral color for this mode.

After filling in all the necessary fields, we will stamp Ok. A new row has appeared in the “Balls” palette with the name you specified and other settings that can be changed in the future.

You can also create a ball using a different key combination, without a dialog box. In this option you need to add the Alt key. That is, the same key looks like this: Ctrl + Shift + Alt + N. The ball uses the default overlay mode, 100% opacity and fill.

2. Adding to the ball through the smut menu

It’s not the most popular, but the same functional way to add a new ball is to go through the path: Main menu → Balls (Layers) → New → Ball... (Layers...). The familiar dialogue window “New Ball” will open.

All newly created balls are created faster than the active one. Sometimes it may be necessary to create a ball lower than it. This option is possible with the third method.

The active ball is visible in the "Balls" palette, and its name is written in the document header.

3. Button on the ball palette

Another way to add a new ball is the “Create a new layer” button at the bottom of the “Balls” palette (Layers).

When pressed, an empty ball is created with a name behind it. When the first ball is created, the file name will be “Ball 1”.

Then the number increases in order of increasing. It’s important to immediately change the name of the ball and give it the name “speak.” Having seen the new creations of the ball, if necessary, you can change the overlay mode, opacity and other settings. It’s much easier to make all the settings while creating the ball. For this type of pressure, a button with a pressed Alt key is indicated. When the “New Ball” dialog box appears again, you can start working with it!

If you need to create a ball lower than the active one, then press the “Create a new ball” button while pressing the Ctrl key. But you need to remember, so you can’t create a new one below the background ball! It is necessary to remove the blockage from the kidney (not recommended!).

4. For more help, the ball palette menu

The only other way to create a new ball is through the “Balls” palette menu.

From the drop-down list, select “New Ball...” (New Layer).

visnovok

We looked at so many different ways, how to create a new ball in photoshop. Now you know how to create a ball higher or lower than the active ball, create a ball using an additional combination of keys or buttons on the “Balls” panel, and also create balls on a lot or using the “New Ball” dialog box.

See you soon on the pages of the upcoming lessons!

With respect, Marina Ruble.