Architecture and design arrows. Institute of Media, Architecture and Design “Strilka. Sonya Yelterman, chief editor of Strelka Mag

Concert hall "Strilka Institute"

The concert hall was opened on the basis of the Institute of Media, Architecture and Design “Strilka” in 2009. The Institute, in essence, is a new innovative project of illumination, created at the large zucker factory “Chervony Zhovten”, located in the vicinity of the Moscow Kremlin.

The concert hall was located on the territory of a large number of factory garages, where there used to be the famous cultural center “ARTstrilka”.

Nini is a young cultural space in the center of Moscow, for which the Strilka Institute concert hall is of great importance.

The “Strilka Institute” concert hall is an open space for holding sightseeing events, as well as a complex that consists of four studios, a lecture hall, a video library and a “Strilka” bar with a summer terrace on the outside. The concert hall has a great door and an amphitheater.
“Strelka Institute” occupies the open square where premiere film screenings of films by leading directors of light cinema, as well as auteur and art-house cinema are held. This is the most beautiful concert square that occupies the door of the Moscow Institute “Strilka”. In addition to film screenings and concerts, many discussions and lectures take place here.

Rather, the “Strilka Institute” is not a classic concert hall in the strictest sense of the word. This is a space that is constantly changing, which is constantly adapting to the format of the approach that is being carried out here at a given hour. "Strilka Institute" is similar to a great place, in which the city dwellers are looking for something to come up with for themselves in different formats and levels. These include intellectual lectures, cabaret-bars, video gaming platforms, and film lectures. It appears that the space is being transformed into an Indian village or furniture flea market. But most often, the space is transformed into a concert square with live audiences in the amphitheater. In one summer, 12 concerts are held in the concert hall “Strilka Institute”, in which young Viconavians take part, as they have already stated about themselves. Over the summer, 400 thousand spectators come to the open Maidan. For such a space there is a great viewing audience, so to speak of the great popularity among the youth of this new cultural space.

It’s amazing how the Maidan – the Strelka Institute hall for spectators – changes. At the closing season of this year, the young and rich group “Kindness” played in the concert hall “Strilka Institute”, as they triumphantly perform at great and important festivals. The setting for the show was a large stage with impersonal mirrors, giant discos and special mirror bars in Absolut.

This evening you have your own dress code. The men wore the required elegant, yet handy costumes for dancing, and the women wore sparkling cocktail cloth. And the dancing didn’t bother me.
Bar "Strilka" at the concert hall "Strilka Institute"
This bar is a comfortable open space, created for informal drinking within the framework of an open concert hall. The interior space of the bar is decorated in an eclectic style, which incorporates elements of Art Deco, Italian and Scandinavian design of the 60-70s.

The bar will delight you with its great cocktail menu and varied menu of international cuisine.

On weekends at the bar, a musician plays jazz on an antique piano, there are evenings with DJs, as well as chamber concerts. Thus, the bar presents nightly programs in the format of live music. The summer terrace, organized in the large garage of the Tsukerkov factory, begins to open at the bar. From here you can see a wonderful view of the Moskva River.

Opening hours of the Strilka Institute concert hall:

From Monday to Thursday from 19 years to 000 years;
- Friday and Saturday from the 19th evening until the 3rd morning;
- week from 18 to 00.

“Strilka Institute” is an experimental model of a concert hall that is undergoing transformation. This project will be great for young people who are interested in nature and who love the novelty of species and impressions.

CHANGING THE CITY
Strelka was founded in 2009 in response to changes in the culture and physical territory of Russia. Institute promotes positive changes and creates new ideas and values ​​through its educational activities. Strelka will provide additional opportunities, while City remains at the center of the Institute's research program.

DEVELOPING HUMAN CAPITAL
Strelka Institute is a non-governmental institution with experimental approach to education. This 5-month study program is aimed at young international specialists with backgrounds in architecture, design, the social sciences, and other fields. Strelka's multidisciplinary education program shaped specificalle to develop human capital and boost students' creative energy.

CREATING THE FUTURE
Strelka's educational program promotes critical thinking and public presentation skills. Other literatures of previous research programs include visual skills development, creative research and data analysis and - the remaining, but not significant - potential application of search projects and their value in solving the real problems of Russian cities.

NEW STANDARDS FOR PUBLIC SPACE
Strelka is open to the world and has always been ready for cooperation and networking; all the knowledge that is being generated in the institute and the wealth of its enlightening approaches is infinitely vast. This work was directed at the Strelka Institute in a popular large space around various communities. Every summer, Strelka courtyard hosts a huge number of visits: including lectures, conferences, and films. Because of the Institute's great location - in the center of Swamp Island, right side of the Kremlin, Krymska Embankment, 'Museon' Park and Gorky Park - Muscovites come here daily to work, socialize or just to have lunch. This territory was developed before the pre-Moscow chocolate factory 'Red October' and became a creative cluster several years ago. Yak great i Open Public space, Strelka had had a huge impact on development of whole island.

Qatar: architecture (without) boundaries

29.08.18 22:04

2nd Versny - Kataru day on "Striltsi". At the hour of the conference “Qatar: architecture (without) boundaries”, the current architects and urbanists of Qatar will talk about how they exploit their investment capabilities, how engineering boundaries impose climate and such conditions om naphtha economy and traditions merge with trends in architecture.

The conference will be held within the framework of the Cross Cultural Rock of Qatar and Russia 2018 with the support of the Barwa group of companies.

At the lecture “The day of architecture in Qatar is just around the corner.” Ibrahim Mohamed I Jaidah, CEO of Arab Engineering Bureau Qatar and the design of the Fire Station gallery projects, transformer quarters near Lusail and the stadium before the 2022 emergency in the form of the national headdress - kufi , news about those. architecture of Qatar from the pre-

naftovaya to post-naphtha era, and it is possible to encourage the curses of khmarochos, preserving traditions.

At the lecture “Architecture between tradition and modernity” Abdelwahed Elwakil, architect, consultant to Barwa Group and winner of the Driehaus Prize and Agha Khan Award, will share his learnings on how to create authentic forms without expensive costs, new age engineering techniques and about such Arabic neoclassical.

Within the framework panel discussion "Budivism in extreme minds" CEO of the development group of the Barwa company Salman Al-Mohannadi, Finnish architect and head of the Avanto Architects bureau Ville Hara, project designer at KB Strilka Monika Konrad, and also designer at the Center for World Anthropology K B Strelka Mikhailo Oleksievsky present projects and discuss why they are new Local workers can learn from the book that there is a universal approach to waking up in the ice and the desert, and how important minds help make the rules.

Ali Abdelrouf Ali Abouelsaad, professor of urban studies, head of research and development at the Department of Civil Planning of Qatar, will give a public interview “From the great life to the great life” and explain the example and the university town of El-Rayan, the Museum of Islam Qatar, the piece island of Perlin, the Souq market and stadiums before the 2022 emergency, as such megaprojects changed the physical and cultural landscape of the capital Qatar.

“Within the framework of the Cross Cultural Rock of Qatar and Russia 2018, it was important for us to create the opportunity to exchange information and knowledge between our countries, especially in the field of architecture and urbanism. Because this innovation has been closely linked to its historical decline - these are the ones that unite our peoples - having designated His Excellency.

Fahad bin Mohamed Al-Attiyah, Ambassador of the State of Qatar to the Russian Federation. – At the conference, organized jointly with the Strelka Institute, the best architects in Qatar will talk about how to create modern architectural forms that maintain a balance between economics and aesthetics y, ecological and cultural originality. Thanks to such projects, Doha today is recognized by the pearl of modern, close-in architecture.”

You can enter without any costs at the front registration.

For the latest news, you can follow them on Facebook, VKontakte and Instagram.

2018 rock is deafened by the Perekhresny Rock of culture in Qatar and Russia. Regardless of the importance of geographical location, climate and history, the countries share the same values: modernization for preserving national traditions, the creation of the most friendly minds for the discovery of humankind potential. Cross-cultural projects, exhibitions, concerts and festivals, illumination and beneficial events on the territory of both powers will help unite the two distinct cultures of Qatar and Russia. In these areas, there is a possibility of a particularly productive exchange of knowledge and evidence between the two powers about their history before the historical collapse and the establishment can sensitively respond to the cries of the present. The Cross River of culture allows us to create an atmosphere of trust and mutual understanding, necessary for expanding business contacts, valuing economic, tourist and cultural interactions between countries.

We have always been posthuman

24.08.18 08:57

The Strelka Institute opens enrollment for the New Normal program with a lecture on the philosophy of design.

On September 27, “Sagittarius” will host a series of lectures “We have always been posthumans” about the radical destruction of design philosophy, the starting point of which was the legacy of the technological transformation of the 21st century. Applications are now open for the third final cycle of the “New Normal” - the Institute’s cost-free postgraduate pre-graduate program. The focus of this research is on algorithmic control and the interconnection of technology and politics, various aspects of the expansion of artificial intelligence on a local scale, as well as the expansion of territories not intended for people. Students learn design, whose true ambition is to transform the people themselves, and not serve them.

● “Zovni”: learning to live in territories not assigned to us”: design theorist, writer, program director at the Strilka Institute, professor of visual mysteries and director of the Center for Design at the University of California (San Diego) Benjamin n Bratton will focus on automation at the local scale . Automated zones of factories are open spaces that do not lie behind traditional statements about those that are designed work zones for personnel: people are in the safety of robots, which, in their turn, are protected from vandalism. Bringing the logic of industrial automation to the place means the need to take into account living in territories not recognized by people.

● “The Plastic People”: professor, dean of the School of Architecture, design and preservation of the ruins of Columbia University (from 2004 to 2014), theorist, architectural historian, and also one of the founders of Volume magazine Mark Vigli present the results before The journey of continuous self-reconstruction from the release of the first stones 'Years and the final transformation of people in comas with the appearance of the first radio antennas at the end of the 19th century.

● “Design Anesthesia”: theorist, architectural historian, academic director and director of the interdisciplinary Media and Conversation program at Princeton University, as well as professor and director of the graduate program Beatriz Colomina, a member of the Princeton School of Architecture, will demonstrate how the contemporary design of an astonishing bookbinding is done.

● “Practices of the new norm”: graduates of the Strilka Institute will talk about current design practices using prototypes of alternative projects, ideas that are presented in various forms - from films to games and strategies. The damage to the lectures reflects the main direction of the third rock of the catastrophe-free lighting program “New Normal” 2018/19.

You can apply for training on the program website from September 27 to November 1, 2018. Over the course of 5 months, designers, architects, programmers, sociologists and young professionals from other fields have been trying to find out the meaning of what has become the “new normal” in today’s world and how technology is changing our transformation in That people will soon lose the development of too much light in the center.

The “New Normal” program combines theoretical seminars and discussions with field research and technical workshops, where students develop practical skills in robotics with machine learning algorithms, cross-platform tools for creating games and additives, technologist With advanced and virtual reality, editing and post-production. design and visualization of data. Contributing program contributors include Benjamin Bratton (Program Director), Liam Young, Keller Easterling, Metahaven, Etienne Turpin, Lev Manovich, Anthony Dunn and Fiona Rebi, Jeff Maina and others. The journey begins near Moscow and includes 2 great pre-last trips - in Russia and beyond the border. Students of the past two cycles of the program conducted research in Murmansk, Magadan, as well as California and China.

At the end of the program, students present their projects that expand the traditional meaning of what the design of the urban environment includes - not only the design of living spaces and territories, but also the design of digital protocols imitating environments and new commercial regulations. You can learn about the results of the past fate on the program website thenewnormal.strelka.com.

At the beginning of the year (Lyuty 2019 – Lipen 2019), students are awarded a stipend of thousands. The minimum age of an applicant is 25 years. Language language is English.

The series of lectures “We have once been posthumans” will be held in English with simultaneous translation.

Entrance is limited, advance registration is required.

Institute of Media, Architecture and Design “Strilka” is a non-profit lighting installation, founded in 2009 to change the landscape of Russian cities. Whether changes begin with people, all programs and projects of the Institute have an enlightening character and are aimed at developing human capital. The main theme of “Strilka” is forever losing its place and development.

The New Normal is an experimental post-graduate educational program for the Strelka Institute, aimed at fagivists from various backgrounds. From 2017 to 2019, a group of 30 students from all over the world began to study in the format of an interdisciplinary, research think-tank. Together with program director Benjamin Bratton and recent contributions, the place is viewed through the prism of recent technology trends and the development of speculative design methodology.

“The Architect of the Future” – the first international conference

09.08.18 10:27

From 10 to 12 spring, the first international conference of the strategic partnership with DOM.RF in support of the Russian Ministry of Buddhism will be held at “Striltsa”. As part of this project, lectures, discussions and workshops will be held, the participants of which will be representatives of leading architectural bureaus, design studios, institutes, development companies from the UK, USA, the Netherlands, and waist, Switzerland and Russia.

The focus of the program is the main food, which is to stand before the current victims. Even today, in architectural bureaus experts work on data processing, developers of design and interfaces, and in technology companies, architects create virtual art projects. How can we get ahead of the architect? How can I change the design tools and methods of merging? Why replace computer programs with VR eyepieces and tablets? The hours of university specialization are running out: the professional architectural core transmits interdisciplinarity among approaches, practitioners and theorists, and the paths of the future may cross between current competencies ій.

As part of the conference, young architects from Russia have the opportunity to undergo a special selection for the Future Architect: Open-call for Young Architects competition and enter the international architectural fair Creative Exchange in Ljubljana (Slovenia) in early 2019.

From the 7th to the 27th September there will be a collection of applications, and on the 12th September the finalists who have passed the competitive selection will present their projects to an international jury and listeners as part of the public selection of applications. After the open presentation, 5 participants will be announced who will attend architectural fairs and will be able to especially get to know representatives of the largest architectural and cultural institutions in Europe. Apply to them for an internship, take part in one of the professional biennales and integrate with the international professional community.

The conference will be held within the framework of the awareness program ARCHITECTORY.RF in a strategic partnership with DOM.RF for support of the Russian Ministry of Buddhism.

Sonya Yelterman, chief editor of Strelka Mag:

“The changes have already begun: from Kaliningrad to Vladivostok, new open spaces, local festivals, and cultural centers are being created. We began to follow heroes and scenes that did not fly under the radar of federal media, but were even more important for the development of Russian culture. How do these changes affect the economy of the place and, most importantly, the people who live there, their light, security, income and mood? New Strelka Mag put your task on this feed every day.”

Strelka Mag speaks with leading architects and design theorists such as Rem Koolhaas, Benjamin Bratton, Winnie Maas and Keller Easterling, as well as local experts and activists. Along with the relaunch, a line of new items also appeared on the site.

You can keep up with the latest news from Strelka Mag on the pages of Facebook, Vkontakte and Instagram, on the Telegram channel or postal service.

Hani Rashid. Moskovsky Dosvid

28.08.15 18:23

On Spring 3, the Institute of Media, Architecture and Design “Strilka” will host a lecture by the founder of the New York architectural bureau Asymptote.

Hani Rashid, a prominent architect, brother of the outrageous designer Karim Rashid, is known for ambitious, innovative projects all over the world. Among the remaining works, two were in Moscow, about which they are included in the lecture. One of the wells - a 150-meter high on the territory of the ZIL plant - will be built before 2017. The architect will explain how the new buildings will fit into the city’s landscape and the message about the continuation of historical messages and technological innovations. Among Moscow projects, the architect will talk about the process of creating the Yas Marina Hotel in Abu Dhabi and the Multimedia Museum of River Culture.

09/03/2015; cob about 20.00

David Fisher. Dynamic architecture of the future

18.05.15 20:02

On the 28th of May, the summer illumination program “Arrows” will include a lecture by an Italian architect who creates roman booths.

David Fisher is the author of the theory of Dynamic architecture, his project of the 80-top “The Dark Thing That Wraps Around”, the first in the world to have a changing form, radically changes the phenomena about those that can go home. If you follow the principle of design, you will be able to change your shape and turn around your axis using the energy generated by wind engines.

At his lecture, Fischer spoke about how modern technologies influence the design and everyday life of booths. In the case of high-power projects, the architect explains why the previously collected project can move beyond the borders of the platform and what advantages will reveal the changes. The audience understands that in the near future architecture will no longer be valued “in terms of taste” and will be evaluated solely in terms of safety, environmental friendliness and functionality.

About the speaker:

David Fisher is an Italian architect, the creator of the “Group of Dynamic Architecture” and the “Association of Dynamic Science”, the author of the project that was the first in the world to change its form. Fisher's career has covered all possible aspects of architecture: from design to design and management of everyday life.

Language: English with translation

Entrance is cat-free. Cob: 20.00

"Tactile place"

01.08.14 00:26

On September 8, the Strelka Institute hosted a lecture by the Greek artist Artemis Papageorgiou about fibertronics - the possibility of using electronic components in textile robots.

"Tactile Place" (Haptic City) is a joint project of Greek multimedia artists Artemis Papageorgiou and Aphrodite Psarra. At the lecture on the 8th September, Artemis will talk about the rise of interactive technologies in the world, and before the lecture, materials will be presented to the workshop that will be held from the 5th to the 8th September. The artist works with the so-called “E-fabric” - programmed textiles that incorporate microcomputers, sensors, and sound sensors. Workshop participants will try to consolidate this material into the landscape explored by Moscow and create an interactive map of Moscow from E-fabric.

Artemis Papageorgiou She graduated from the Computer Science Department at Goldsmiths University in London, where she worked with both the Cinimod studio, which specializes in light design, and the Jason Bruges studio, which creates internet active installations for interfaces. Artemis took part in the master classes of the London art group MzTek, which focused on LED technologies and DIY electronics. After leaving the UK in 2011, she started the Athens Plaython festival in Athens, which takes place quickly and consists of numerous workshops on design and related technologies, as well as street games, quests, parties . Festival of prizes at the TEDx Athens Challenge.

The lecture and master class were organized within the framework of the interdisciplinary program of the Polytechnic Museum “Polytech.Science.Art: Science.Mystery.Technology”, together with the “Strilka” Institute and with the support of the company “M” Egaphone." All programs are aimed at the popularization of science, as well as the search for new directions in the interaction between science and mysticism. Artists, photographers, and other engineers are asked to present new forms of art for the achievements of digital technologies.

Presentation of work by participants to the master class- 8th sickle, 19:00
Lecture by Artemis Papageorgiou “Interactive technologies in the world”- 8th sickle, 20:00
Place held: Institute of Media, Architecture and Design “Strilka” (Bersenivska Embankment, 14, Budova 5A)

Terribly beautiful total installation

07.07.14 18:32

Russian pavilion at the 14th Venice Architectural Biennale. A look around the fair of ideas, the hostility of the curators, the discussions at “Striltsi”.

Photo by Nikolay Zverkov

All the countries participating in the Architectural Biennale in Venice spoke in their pavilions about the current problems of the present day, without being particularly concerned with it, to the extent that the exhibition corresponds to the theme of the central curatorship ї exhibitions. This time it's not like that. Curator Rem Koolhaas, having praised the fact that the first thing to collapse in the future, is the time to put a stop to it and take a critical look at the past in order to understand how architecture became the way it is. Therefore, for national researchers, a significant plot “Absorbing Modernity: 1914-2014” was revealed: the skin region was prompted to look at what happened to its architecture in the past hundred years and show how it got closer and, absorbed, washed away, or as if in a different way she accepted the sadness with her global news and trends.

Photo by Nikolay Zverkov

Photo by Nikolay Zverkov

Most of the exhibitors responded to the curator’s call and were angry in a strong chorus of voices, some monotonously, some expressing thoughts about local versions of modernism with an emphasis on the development of panel housekeeping. Russia came up with a dynamic, richly spherical and visually unsatisfactory concept of “Fair Enough” (“Fair Enough” or “Do the Fair”), prepared by the Institute of Media, Architecture and Design “Strilka”. The curators Darya Paramonova, Anton Kalgaev and Brendan McGetrick aimed not only to analyze and demonstrate the signs of “preparation” and the appearance of ancient architecture, but also to simultaneously show their vitality in the current world and prospects for the global at the architectural market.

Photo by Nikolay Zverkov

Photo by Nikolay Zverkov

Photo by Nikolay Zverkov

Under the promotional slogan “Russia’s Past, Our Present” (“Russia’s Past, Our Present!”) at the pavilion, inspired by the project of A.V. Shchuseva, the fire of the current fairs, EXPO, creations with the soothing, sometimes hypertrophied and that very realism that twists itself. On the stiez-reepshn, yak to rest, vidvіdavachiv wasracked in nudo Rozhevikh blouses I Mini-Skidnitsy, Shcho Bі, Shchravoda, Nail Stewardes, Nizh Robitnitz Bin-F'Yri. The main hall was divided into two dozen plastic boxes with various “products”, such as live food, under signs with the names of the companies they sold, their smiling representatives were selling. It is clear that the appearance of the representatives is a remarkable honor for the brands.

Photo by Nikolay Zverkov

The largest-scale courtyard stand was naturally occupied by the intercontinental architectural corporation Shсhusev Architects. The new manager, with a pleasant American accent, spoke about the wonderful company, ready, according to the commandment of the great Shchusev, who, having expressed his rich and rich talent, will give you either a temple in the pseudo-Russian style or a mausoleum. Fans of the Russian TV series “Interni” would immediately ask the prodigious manager of actor Odin Land Byron that he is playing the expat doctor Phil Richards. Ale, who knows for everything, when you try to get an autograph, Odin vіdpovіv bi, it’s not his fault.

Archive site

On the other hand, in the Shshusev Architects pavilion, in light boxes, just like the originals, prints of Shshusev’s little projects were displayed, which differ radically in style.

Photo by Nikolay Zverkov

Bliskuche has completed his role as a representative of a company with the proud name of Estetika Ltd. Appearing on the ashes of black lacquer walls and burning gold elements of traditional carved decor, under the dimness of Eternal Russian, presenting the eternal neo-Russian style, the original utilitarian gloominess in the business center is transformed into a miraculous branch r mysticism.

Image: Victor Ruben / Strelka Institute

“Yesterday we just spoke with Sergiy Kuznetsov about the problems of national identity in modern architecture, and showed them our propositions. It’s been a long time coming that in “Moscow-City” it would be like this,” the young man sang like a hero of a Russian fairy tale and demonstrated on the screen a cyclopean ghoul in the color of one of the domes of St. Basil’s Cathedral.

Bang! Bang! Studio/ Strelka Institute

At the Ark-Stroy stand there is a fit young man, the military style is all over the place, and he wants to create the Moscow “Budinok-ship on Tulskaya” at any point in the world, an incentive for the minister’s employees. State of atomic energy of the SRSR. An experimental, seismic-resistant structure, fragmented during the rocks of the Cold War, “every chance” was embedded in super-resistant adhesive concrete. Such a booth-ark for 1000 apartments could become a reliable refuge from numerous natural and man-made disasters and from the influx of aliens, illustrating the poster on the wall.

Julia Ardabyevska / Strelka Institute

As you need a foundation for any kind of collective activity, Russian architecture has recently seen a miraculous model in the form of Budinka Narkomfin. The passionate company NARKOMFIN™ proposes to transform the creation of Moses Ginzburg into a modern student colony, a prison colony, or an elite spa center. Before serving the client - a wide range of options and planning options.

Photo by Nikolay Zverkov

Image: Sasha Takloo / Strelka Institute

Is it necessary to dispel any idea or ideology from mass media? The Russian pavilion supports the construction of the Moscow metro, approved by the Moscow Metro Worldwide organization.

Photo by Nikolay Zverkov

Do you want children to grow up with their own peculiarities and not as well-behaved people? Forget about the fake Disneyland castles. Be in your place centers of children's creativity in a modernist style inspired by the Palaces of Pioneers, which were built in the USSR. Contact Young Pioneer Palace Atelie for your project.

At the stand of Young Pioneer Palace Atelie you can see original little things from young students of art schools on the theme of Russian booths of children's creativity.

Are you looking for new forms in architecture? Don’t worry - take it from the Shaping inspiration catalogue, which has been collected and refined to the geometric core of the most energetic and creative elements of the Russian avant-garde, modernism and postmodernism.

Maja Wronska / Strelka Institute

Photo by Nikolay Zverkov

The Russian Rada, with a retroactive development, urges not to bear in mind historical disputes, otherwise, if such inacceptance has been tolerated, the monument can be erected exactly as it was. The correctness of the position is confirmed by the butts of the renovated Cathedral of Christ the Savior near Moscow and the Moscow Palace near Berlin, the reconstruction of which will be completed before 2019.

Photo: Lena Tcibizova/Institute Strelka

A competing company, Financial Solutions, is promoting a similar idea to tackle the crisis. It will be exactly like a bulo, how can it be better? Vaughn is taking up the upgrade of monuments, based on such precedents as Voentorg and the Moscow Hotel. Also on display at the stand is a model of the Shukhivskaya Tower, which rises from the underground parking lot at the shopping center. “Well, things are just standing there, we can make some money in the middle,” the company representative calmly blinked.

Photo Archive website

And since, to this extent, we are willing to take part in the performance and delve into especially the products of unknown companies, then here it is not enough for me to feel at ease. The skin is hot, as it seems... Photographer Yuriy Palmin at the round table in MA, dedicated to the Biennale, learned that for the Financial Solutions box, the curators asked him to photograph Voentorg and the Moscow Hotel so glossy and beautiful that it would be “boring.” Sharing with enemies, they respected that the Russian pavilion had once again been honored, “terribly honored, because in truth it became scary.”

Photo by Nikolay Zverkov

It must be said that among the performers who represented the fake companies, Odin was a professional actor without any guesses. Another actor played the guard, a key figure in any exhibition. Other stand exhibitors include architectural critics, researchers, journalists, sociologists, many of whom the curators of the pavilion consulted, among others. The “performance” ran for the first day, then the heroes turned home. If you come to the Russian pavilion in Giardina today, then ask to see where the Italian consultants who took the reporting instructions will help among the disputable stands. And an audio guide that you can download on the Internet and listen to as a guided tour. It's not even the same bits.

Photo by Nikolay Zverkov

Image: Iakov Chernikhov International Foundation

Malyunok Yakov Chernikhov from the second book “101 Architectural Fantasy”, published in 1933.

The Biennale jury appreciated the idea and drive of the Russian fair of ideas with a “Special Riddle”. On the sidelines, they speculated that the dates and “left” could have been, but the fragments of “Strilka” in some sense – the brainchild of Koolhaas, who launched their initial program, and the story of Fair Enough itself came out entirely from the Dusi of y authorities. ignited at the Central Pavilion Arsenal, then the jury respected that it would be “not comme il faut.” However, the “Special Riddle” was another success for the Russian pavilion – a miraculous result. Darya Paramonova and Anton Kalgaev told us about what was achieved, what senses were invested in the concept, what enemies were lost during the work on the exhibition.

Strelka Institute

Anton Kalgaev:
“The curatorial team was formed by the director of Strilka, Varvara Melnikova. We all knew the same thing, but we had never worked before. It is impossible to say that we are missing any obvious subset of obligations. Everyone got busy with everything, looking critically at the endless options. The final concept was reached here at Veresna. We knew right away that we wanted to show not the linear history of the development of Russian architecture over 100 years, but the entire complexity of the process of modernization of the region, its diversity, which results in such a rich composition th architectural landscape. Twenty presentations of history are a diagnosis of the current state of architecture, a reaction to the ideas that architects around the world are working on today. The stench is completely real. On the other hand, it would be better if they didn’t work with them, like Financial Solutions, for example, but that’s the logic, it’s not greedy, it seems. Some of the critics would say about the reconstruction of the Shukhiv Tower: “What? It's a bad idea."
Besides the content, we needed to know a universal format for its presentation. The International Fair is a showcase of secretly accessible broadcasts of ideas to the whole world. The name “Fair Enough” and “Fair Enough” is a word that expresses our most critical approach to the Biennale as an architectural fair and to the state of architecture in Russia. Ambiguity is present in the names of companies and their slogans, which speaks of the ambiguity and paradox of the processes presented in the skin box. What is even more paradoxical is that we recognize the possibility of the ideas of the Radian hours becoming stagnant in the capitalist world. It’s great that foreigners in the wider world understood irony and metaphor. As far as the Russian public is concerned, they went crazy and covered their heads with a stool. “A lot of spivitch workers were inspired by the evil parody, panegyric of Russian architecture, to whom the Russian fair itself was unacceptable.”

Strelka Institute

Daria Paramonova:
“It was important to us - so important that we put a price on the name of the pavilion - to describe the current situation in Russia as truthfully as possible. At the forefront, national pavilions created abstractly beautiful projects, trying to look better in the eyes of foreign audiences, even less so. Ale pragnennya zdavatisya, not zavzhdi buti zchituvanim. We didn’t want to represent anything, we wanted it to be. That’s why it’s such a format, such a concept, such a name. Russia has often tried to reveal to itself a little of the mystical, refined, with its own specific images, which were once enlightened by the world. We set out to integrate before the international architectural discourse, and tried to show that it is also part of the globalized process of polishing everything and everyone with our modernism. The format of the fair has been taken from true verisimilitude - this is how the representation of architecture in Moscow looks like, starting with the ARCH of Moscow, ending with the market of permanent materials. We carefully worked our butts, traveled to expo centers in order to create aesthetics and forget about the details. There is a similarity in the story about the flexibility of architects and their ability to reach the market. What is a promise, then we pronounce it. I want khmarochosi in neo-Russian style, I want Lissitzky. I cannot say what this criticism is, nor in any way, let the onlookers judge. There are good ideas, but they are cautious, but the fact is that everything that is profitable is bought and sold.
We were especially pleased with the process of the fair itself. There was no certainty that “sales” were coming. Everything could have looked rather piecemeal, but the result would have been overturned. There were people who seriously took in everything that was available, wanted to know how to contact companies, forfeited business cards, and wanted to experience something similar here. In order to appreciate the exhibition as a total installation, we were presented with it. Because at the moment, if you can’t understand, how much everything has been figured out by asking. The performances' departure for the first time is a well-thought-out story. Who also has irony: over the format of the Venice Architectural Biennale. Even this grandiose show, in fact, was insured on the first days - by the jury, by the critics. The main influx of extractors and live sputtering occurs on the cob itself. And if you arrive in a week, you will see that you have registered for a holy day, all the catalogs and souvenirs have been distributed, all the holders have left, and you are walking through gigantic empty spaces. “Axis and our pavilion are now carefully coping with the hostilities of the ongoing EXPO.”

Photo by Nikolay Zverkov

For 21 days on “Striltsi” there will be a series of discussions “The Biennale+ Year”, during which the curators and participants of the performance will share their enemies, talk about how they were chosen by each other. Perhaps a fragment of the pavilion will be created.

21 limes on "Striltsi" as part of the "Tennis Biennale" curators of the exhibition Anton Kalgaev, Brendan McGetrick and Daria Paramonova, as well as graphic designer of the project Maria Kosareva to present the exhibition in the Russian pavilion and our from architectural ideas that were shown in Venice. This coming day there will be discussions with the participation of curators, performance participants and requested experts on the status of architectural ideas presented at the exhibition, as well as the reactions of Russian leaders this pavilion. The day will end with a Venetian-style party at the “Strilka” courtyard on Saturday, 26 June.

Tyzhnya layout:
21 Lipnya, 20:00 // Fair Enough - fairs of ideas
22 linya, 20:00 // Architecture and lighting
23 linya, 20:00 // Mythology of architecture
24 Lipnya, 20:00 // Architectural “bungkishness”
25 linden, 20:00 // Nedotorkanni
26 Lipnya, 20:00 // Feedback

“New everyday life” on “Striltsi”

02.07.14 18:35

3-4 limes in the open space The Institute of Media, Architecture and Design will host a conference, which will include Grigory Revzin, Winnie Maas, curators of the Belgian and Japanese pavilions of the 14th Venetian Biography ennale. The topic of discussion was the infusion of everyday knowledge into the development of the place.

The main conference of the Institute “Strilki” 2014 is to bring together those who embrace the folding light of everyday life, and those who try to project it, format it, and imagine it anew. Historians, sociologists, journalists, anthropologists, architects, urban planners, designers and directors come to the conclusion that this is a new everyday reality, what makes it happen and how the city dwellers - and the very place - change from it at the same time.

The prayers of the first day are dedicated to ideal, well-established routines - from the everyday life of the Burning Man project to the presence of Muslim kibutzim in Jerusalem, as well as to those rituals and routines that have emerged in the last decade in Russian places, — sociologist Viktor Vakhshtain, critic Grigory Revzin, theater director Dmitro Other participants in the discussion discuss the wonders of Russian everyday life.
The special guest of the first day, scent explorer Sissel Tolaas, will discuss with the conference curator Anastasia Smirnova the complex formulas of the main city aromas and the design of a “fragrant landscape” for the metropolis.

On the next day of the conference there will be a marathon of projects that format everyday life in one way or another. Architect Wienie Maas, the team of curators of the Belgian Pavilion and the remaining Venice Biennale, and international logistics manager Claire Lister discuss the role and capabilities of the designer in the broadest sense of the word. - in the world of the everyday and the banal.

Performance program

12:00 - 12:15
Anastasia Smirnova, Strilka Institute, SVESMI Bureau

Part 1. “The Value of Everyday Things”

12:30 - 13:45
“Specifics of Moscow everyday life” Grigory Revzin, KB “Strilka”

14:00 - 16:00

"Ideal booty" Series of short lectures
— Megan Rutigliano, Burning Man festival as a place and truth
- “Misskiy kibbutz. Maybutnє past"
Yuval Yasky, Faculty of Architecture, Bezalel Academy of Mysteries
- “The interior is like a “marble expanse.” Projects for the future place of Montreal.”
Mark Pimlott, Delft University of Technology

"Ideal room": round table
Moderator: Brendan McGetrick, Strilka Institute
Participants: Kirilo Ass, Megan Rutigliano, Yuval Yasky, Mark Pimlott

Part 2. “New routines and rituals”

17:00 - 18:15
“Great place between the holy and prose”
Boris Dubin, sociologist, independent investigator

18:30 - 19:30
“New Muslim rituals”: ​​round table
Moderator - Viktor Vakhshtain, sociologist, RANEPA
Participants: Dmitro Volkostrelov, theater director, Andriy Korbut, NDU HSE,
Mikhailo Oleksievsky, KB "Strilka"

20:00 - 21:00
The Place of Smells, the evening of Anastasia Smirnova with Sissel Tolaas, the follower and designer of scents, RE_SEARCH Lab, International Flavor & Fragrance INC., and a demonstration of Tolaas’s olphantory projects.

Part 3. "Design of everyday life"

Session moderator: Anastasia Smirnova, Strilka Institute, SVESMI Bureau

13:00 - 14:30
"(Not) zvichaine"
Wini Maas, MVRDV

14:45 - 15:15
“For lashtunki, or great logistics”
Claire Lister, University of Chicago

15:15 - 15:45
“Pereosmyluyuchi zvichne. 8 small Japanese booths"
Kayoko Ota, Commissioner of the Japan Pavilion at the 14th Venice Architectural Biennale

15:45 - 16:15
“Interior: lessons in private life”
Sebastien Martinez Barat, Benjamin Lafort, Sarah Levy, team of curators of the Belgian pavilion at the 14th Venice Architecture Biennale

16:15-16:45
“How great business shapes our everyday life”
David Erikson, Hyper Island

17:30-18:30
“Design of everyday life”: round table
Moderated by: Anastasia Smirnova
Participants: Claire Lister, David Erikson, Kayoko Ota, Sarah Levi

18:45 - 20:30
A look at the student exhibition at the Strilka Institute - "Misska Everyday"

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Spend the summer wisely

15.05.14 21:18

The Institute of Media, Architecture and Design "Strilka" is launching a summer program. For the past four months, media artists, scientists and engineers have been asked to give lectures, conduct master classes and take part in conferences. Come as close as possible - 21st and 22nd May.

The program is opening May 21, 2014 rock lecture within the framework of a major lighting project with the Polytechnic Museum - "Polytech on Striltsi". The Dutch sculptor and winemaker spoke about his creativity Theo Jansen, author of the famous Strandbeests - piece forms of life created from hundreds of polyvinyl chloride tubes.

A May 22 French media artist Clément Briand You will give a lecture before using the photo projection at Mr. Seredovishch.

In the photo above and below: Clément Brianni yogo robots

We will also hold the most important lectures of this summer:
- Australian media artist Geoffrey Shaw, one of the founders of media art, author of the famous flying pig, created by him for Pink Floyd;
- Su Fujimoto- a junior architect who designed a pavilion for the London Serpentine Art Gallery;
- Mexican architect of the new era Michel Rokhkind, having created a national film archive of the 21st century in Mexico;
- Japanese architect Kengo Kuma, which has become famous for its combination of new technologies and the minds of Dovkill in its architectural practice.

Mid-summer will pass A series of approaches to the role of innovation in architecture and public planning. Berlin, Barcelona, ​​London and Amsterdam will be considered as examples by the finalists of the leading architectural prizes MISA VAN DER ROOJ.

As part of the crossover between the culture of Russia and Great Britain, the “Striltsi” will take place British design daysі Film Festival of Unseen Hitchcock Films.

Great conferences Whose fate: "Books in the World", which reveals the topic of interaction with the information of our time; "New energy of museums"- Research on current technologies in the museum space; "New School" - advanced techniques in the organization of lighting installations; At the “Everyday Life” conference, take a closer look at the topic of “Mother’s Routine”.

In 2014, the Strelka Institute is working on the Russian pavilion of the Architectural Biennale in Venice. Within the framework of the project "Bienal+" The curators of the pavilion will share with the audience powerful evidence and discuss with experts what the theme of the 2014 biennale was.

Summer program calendar: http://www.strelka.com

Three approaches to “Ukraine”

27.02.14 15:28

10 creative teams took part in developing the concept of decorating the space in front of the architectural monument of the 1950s. On the 26th of February, Zhuri looked at their decisions. The most notable projects were ABD architects (Russia) with the participation of Werner Sobek Moskwa (Russia), Studio 44 (Russia), TPO Lesosplav (Russia) with the participation of Malishev Wilson Engineers (Great Britain). Judging by the specifics of the finalists' work, Jury chose the most thin and light structures that would effectively and simultaneously respect the historical architecture of one of the seven Stalinist skyscrapers.

TPO "Lisoplav" and Malishev Wilson Engineers are planning to stretch a long (250 m) white line of milk glass on thin chrome-plated columns in front of the "Ukraine" hotel. Visually light, the sky widens between Kutuzovsky Prospekt and the Taras Shevchenko embankment. This is not just a utilitarian canopy, but an independent body of contemporary design. It contrasts with the historical booth, but does not enter into dissonance with it, the authors respect. Without drowning out the historical composition of the high-rise building, the visor stitch ties it from the embankment, opens the entrance ramp to the hotel and, at the same time, forms a line of the promenade that leads to the river.

Proposition of ABD Architects (Photo above and below) with even greater visual neutrality. The canopy takes the form of a “climb” plate on “invisible” steel supports. It is expected that with constant lighting it will look like a very thin lamp, which is indestructible from the original portico of “Ukraine”. However, the “physical” new canopy is tied with it: “The canopy structure is formed by a system of cross-trusses, which are coiled on steel supports (which are pressed), embedded in the columns, and fixed with steel rods-braces, stretched between the Elons from the outer wall of the portico . Load-bearing vertical structures spiral onto solid foundations.”

Studio 44 installed in their project e (photo above and below) in front of the hotel "Ukraine" there is a unique abstract sculpture. Two square-shaped chavun blocks (6 x 6 m) on chavun pedestals support a thin metal sheet up to 112 meters long. It easily bends and, according to the authors’ idea, is guilty of associating with the rushnik-rushnik, which pushes against the hospitality (bread-and-silt), so as to find the middle. The structure is consistent with the historical scale and rhythms of the elements, but is stylistically autonomous and stands in front of the head portico. With this rank, the role of the daily propyls or avant-portico before the legendary awakening concludes.

Now the manager (BAT “Hotel “Ukraine”) must contact one of these projects for the implementation. The competition was held on the initiative of the Moscow Committee for Architecture and Architecture, and KB "Strilka" acted as a consultant.
competition. Those present there were not only participants, but also members of the jury, representatives of the guardian's and foreign experts. According to the words of the intercessor of the Minister of Culture of the Russian Federation Grigory Pirumov, this is actually the first proof of the open competition, which would confirm all the current world benefits. “Openness, publicity, clarity of these procedures are the axis of the characteristics of this competition,” Pirumov said. - Over 900 participants from different countries sent their proposals to the world. At the first stage, 10 teams were selected from portfolios and sketches, now the number of finalists has increased to three. The overcoming will be heard until the end of the meeting at the meeting for the sake of the Minister of Culture of Russia and the Mayor of Moscow.” Denis Leontiev, General Director of KB "Strilka", emphasized that among the top 10 finalists there were three bureaus from Russia. “It’s worth pointing out that in our region there are no personalities of architects who can compete with their foreign colleagues,” Leontiev respected.

The jury's discussion of the finalist candidates lasted for two days and was intense. “All the finalists received an equal number of votes, and there is no equal priority in the draft, which is voiced by the alphabet,” said the head architect of Moscow, Sergey Kuznetsov, adding that after the architectural transformation, “ Great progress has been made in the development of competitive practice and the search for a long-term formula for the selection of participants. A dozen members of the jury noted that the finalists, with their concepts, tried not just to design a container for the creation of mysticism, but to create a contemporary communicative center, in which mysticism would be the main component. That’s why they were chosen. It should be noted that a special riddle of the jury was awarded to the work of the bureau Steven Holl Architects (USA) and 51N4E and OFFICE KGDVS (Belgium).

Architects bureau Heneghan Peng Architects The NCCA complex is located near the center of the Khodinsky Field, composed of rectilinear elements, displaced along the axis. It took away the vertical vector of development - which principle has the importance of the decisions of the Irish from the projects of their fellow competitors. The exhibition spaces are designed to look like galleries, stacked one above the other. Thanks to the vertical organization of space, access to the bays is simplified, so you can climb to the required surface without bypassing the entire building. The center of the interior is the rich foyer. From this depth uphill there is an escalator, passing the zone of the construction site and administrative premises, like archaeological sites.

Concept of the Kreida bureau

Kreida Bureau I set myself the task of creating an expositional and convivial expanse, a territory of new vigor, saturated with cultural life and local activity, and at the same time a human scale and natural landscape. The main functional areas of the DCSD are located in the middle of a single stylobate - the “pagorba”. A landscape park with pavilions, decorated halls for regular and temporary exhibitions, a lighting center and a media center, a cafe-club and creative residences are currently under construction. Covered with slabs of natural stone and polished concrete, the pavilions resemble rural structures with a spherical and folding structure.

The outdoor area in front of the NCCI booth is represented by different zones that serve a non-personal function. There are squares here for installations, street activities, film screenings and lectures. The greenery thickens to the edges and extends to the middle, creating a walking route. The first one on top is a single communication space, connected with the exhibition hall and pavilions on the street. Either of them can be accessed through the park, which allows for the creation of pavilions for independent exhibition projects of various scales.

Concept of the bureau Nieto Sobejano Arquitectos

The basis of the concept of Nieto Sobejano Arquitectos The unrealized projects of the Russian avant-garde were inspired by their unique technical and architectural solutions, and by a strong industrial structure and factory typology, which is now in vogue. The volumetric-spacious composition of the Spaniards will be in a cylindrical shape. Transformation allows you to create a low displacement that can be combined in different combinations. Displays can move from hall to hall, while maintaining connections with the foyer, which will be the functional center of the room. In the middle there is a horizontally oriented expanse, similar to a Cretan street. This later “ridge”-passage would become the heart of the NCCA and the place of the pioneers, artists, explorers and explorers. Four blocks are placed under permanent exhibition, and three are under temporary exhibition. The workshops and artists' apartments are designed on the upper surfaces of the outer cylinder.

11:23

The selection of applicants was divided into two categories: “sketch” and “portfolio”. The other round of presentations of concepts included LLC "Arch Group" (Russia), TPO "Lisosplav" (Russia), Simona Melli Architetto (Italy), Bynd (Nimecchina) and Pedro Miguel Estrela de Almeida (Portugal). If one of the companies in this group, for any reason, is inspired to fight for victory, it is better to hire a bureau from India, Tahaer Zoyab.

The analysis of this type of professional research included the Studio 44 bureau (Russia), ABD Architects and Werner Sobek Moscow (Russia), Balmond Studio (Great Britain), Wolfgang Buttress and Simmonds Studio (Great Britain) and Work AC (USA). Ten teams will review the technical details in detail, and the projects developed behind them, during the period from November 29, 2013 to December 25, 2014, with a jury of three finalists.

Hotel “Ukraine”, built in the middle of the last century, is one of the symbols of the Russian capital, a building that, among others, shapes the architectural and historical appearance of Moscow. Therefore, the project for the reconstruction of the entrance - and this is what the head architect of Moscow says - needs to be carried out with utmost delicacy and on the right professional and conceptual level.

The competition is held in two stages. On the first day (17 June 2013 – 20 November 2013) applicants are selected based on applications (up to 25 June) and sketches. Participants in the next stage (leaf fall 29, 2013 – February 25, 2014) will include five candidates who completed the first stage, as well as five teams requested by the deputy before participating in the competition through the selection procedure. Between them, three finalists will be selected, with which the deputy will conduct competitive negotiations. Vinegorod for the participation in another stage collects 10,000 dollars. All details can be found on the official website of the competition.

What do Muscovites want? The truth about the food lies on the surface: a comfortable and everyday living middle with neatly designed subway markets, aesthetic waste bins, handmade children's squares, great public spaces for repairs and storage. Now architects and designers can present their own solutions to these current problems: the site has a section where professionals can independently create materials that illustrate their concepts. All this will lead to the pouch atlas of ideas and solutions “What does Moscow want”, which will guide the 2013 fate. All projects will be presented at the Moscow Urban Forum on April 5-7, 2013.

As part of the selection of solutions from designers and architects, the Strelka Institute plans to hold a series of workshops for young professionals. Experts in the field of design, architecture and other fields, together with the studies of their profiles, are willing to come up with and develop visual solutions based on the most popular ideas.

Glutless quest. We didn't get it. The hooks are screwed on. This one was of a sleek type from climbing into the industrial zone, where you couldn’t find a can, a lighthouse. The tasks are all of the same type, even small locations may be dealt with several times over the same period of time, once you have already completed everything and move on, and it appears that you need to work there again. As a result, the monotony of the game begins to wear out. We were not honored with zagalom.

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Ganna Egorova

19 Lipnya 2019 Mischief quest Sherlock Holmes. On the right about the stolen Kohinura »

Our family already loves Miska's quests, so we've given them a lot. We hired the company IQ365 to try the quest "Sherlock Holmes. Right about the theft of Kokhinur" in Gorky Park. The quest has been completed, but it’s already challenging the decisions of the quests we’ve been on. The task of this quest is not really tied to the location of the park that you need to know. We did not deprive ourselves of daily information about the park and daily information for the purpose of other quests. The task of this quest is to have a more “linguistic” character: combine a word with a letter, solve a puzzle, etc. It’s more logical, in our opinion, even more logical. Although the format of the quest was unimportant for us, everything went well, we got out of the closet and took a walk in the park! For the sake of the passage, everyone is welcome, and we ourselves plan to sing to “The Crickets of Grimm.”

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Eva Oleksandrova

19 Lipnya 2019 Beauty salon "Aldo Coppola"

The growth has already been extended to the fate of Olenya. The main criteria for me are the accuracy of the work and hypoallergenic materials. It’s okay to go to Olenya’s. I don’t feel like I’m missing anything now. It's fitting

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Darina Puts

17 Lipnya 2019 Beauty salon "Aldo Coppola"

I pay in Aldo, as the cosmetologist told me, an innovative hardware complex VIP line. I came with all the familiar problems, the problem and the dryness of the skin. In two years they said a good result. After a week, there really is an effect. The waist has already gained 2 cm, which is especially true in conjunction with the correct food, as recommended by a cosmetologist at the start of the course.

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Olena Limanska

9 Lipnya 2019 Quest “Khova 2.0 Kids”

We went to play near Khovanka near Temryava with our children. Buried! It is advisable to proceed in the dark in the adult mode. For children 11-12 years old there was a special light and lasers to glow and babies. A bunch of labyrinths and passages. The children played with such enthusiasm that they did not notice the hour had passed. To be honest, it’s very original and mysterious. We'll come soon!

Zavdannya

The Institute of Media, Architecture and Design “Strilka” aims to guide a new generation of architects, designers and media professionals regarding the vision of the world in the 21st century. The postgraduate program is intended for graduates of the highest level – young professionals, whom Strelka gives the opportunity to work alongside the authors of recent projects in the field of urbanism, architecture and communication. from different parts of the world. For non-Fakhiv students, the Institute organizes open lectures, seminars and round tables on current topics that everyone may want to take part in.

The trustees of the institute include: Ilya Oskolkov-Tsentsiper, Sergey Adoniev, Oleksandr Mamut, Oleg Shapiro and Dmitro Likin.

Roztashuvannaya institute

“Strilka” is located on the territory of the huge chocolate factory “Chervoniy Zhovten” on Bolotny Island - two kilometers from the Kremlin, Budinka on the embankment and the State Museum of Imaginative Mysteries named after. A. S. Pushkin. The Institute occupies factory garages, where until 2009 the cultural center “ARTStrelka” was built. Remnants of “Chervony Zhovten” are the youngest cultural space in the center of Moscow; new premises are currently appearing at the institute: galleries and photo studios, editorial offices and bars, design bureaus and architectural ministries.

Navigation strategy

The Institute of Media, Architecture and Design “Strilka” is an illuminating project that promotes a postgraduate program that begins and monitors areas that are especially relevant for today’s Russia. "Strilka" is located in the center of Moscow and recruits architects, designers and media professionals from its walls, giving them the opportunity to express themselves creatively in various interdisciplinary projects. The young fakhivs are eagerly seeking to develop and investigate some of the most important topics for Russia - such as preserving the world's environment and migrating the population to the energy of today and the virtual space. At the end of the last year’s cycle, the Institute, together with various other media outlets, TV channels, online resources, mobile operators and advertising agencies, expands information about the results of the student’s last year’s work. in ta vykladachiv.

Preaching to students a cost-free program, the Strilka Institute acts as a non-commercial educational institution, so as not to fall under the pressure of a powerful market, and to create sympathetic minds for creative jokes and experiments, a new platform for the rise of Russian problems in the middle of Russia and from the received international evidence .

The focus at the Strilka Institute will be on the principle of “think and work.” It is not necessary to comply with the restrictions that are imposed by official accreditation, the research carried out in “Striltsa” is aimed directly at the most practical tasks and the search for real conditions for new developments. The initial process of orientation is not so much on the first stage, but rather on the creation of powerful work by students in the development of independent research, and a critical understanding of current trends. This is not just about images and models, but also about implemented products, information about which is being expanded by Russian wired media, as well as through other mobile technologies and blogs. The close interaction and interweaving of theoretical ideas and practices expands the possibilities of the lighting process and creativity in the field of architecture, media and design.

Summer on "Striltsi"

Since 2010, a huge program has been held at “Striltsi”: seminars, round tables, film screenings and concerts. "Strilka" will continue the practice of conducting huge programs in 2011.